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List of Mystery Science Theater characters While the cast of MST3K has changed throughout its history, the premise of the show remains relatively unchanged: Nelsonand most recently Jonah Heston Jonah Ray —has been imprisoned aboard the spacecraft Satellite of Love by mad scientists and their henchmen collectively called "the Mads" and is forced to watch a series of bad movies in order to find one that will drive the test subject insane.
To keep his sanity, Joel built himself a series of sentient robots the "'bots" from parts aboard the Satellite, and who subsequently remain aboard with the other test subjects.
The 'bots include Tom ServoCrow T. RobotGypsy who is in charge of running the satellite's operations and Cambotthe silent recorder of the experiments.
Crow and Servo join the human as they watch the film in the Satellite's theater, and to keep from going mad, the trio frequently comment and wisecrack atop it, a process known as "riffing". At regular intervals throughout the movie, the hosts leave the theater and return to the bridge of the Satellite to perform sketches "host segments" that satirize the film being watched.
Format[ edit ] The general format of an MST3K episode has remained the same throughout the series' run. Episodes are approximately 90 minutes in running time excluding commercial breaks and begin with a short introductory segment in which the human host and the 'bots interact with the Mads before being sent the movie.
During Joel Hodgson and Jonah Ray's tenures as hosts and for a brief period at the start of the Mike Nelson erathe hosts and the Mads engage in an "invention exchange" in which they each show off their latest inventions. Sirens and flashing lights "Movie Sign" then signal the characters to enter the restaurant business plan sample demo reel.
Robot, in silhouette, are watching the short Mr. B Natural in the episode featuring War of the Colossal Beast In the theater, the human host and 'bots' Tom and Crow sit in a row of theater seats, shown in silhouette along the bottom of the screen, an approach Hodgson called "Shadowrama.
Occasionally the silhouette format is used as a source of humor or as a means of creating unobtrusive censor bars for scenes containing nudity. The show transitions into and out of the theater via a "door sequence", a series of six doors that open or close as the camera ostensibly Cambot passes through them.
Some sketches bring in new or recurring characters or other devices; the host would consult an external camera "Rocket Number Nine" to show events happening outside the Satellite, and the "Hexfield Viewscreen" would be used to communicate with other characters from the ship's bridge.
At the end of each sketch, "Movie Sign" is triggered again and the characters must re-enter the theater. The final sketch of an episode typically ends on the Mads, with the lead Mad asking their lackey to "push the button" to end the transmission and transitioning to the credit sequence.
After the credits, a humorous short clip from the presented film is replayed as a "stinger" to end the episode. Ina limited selection of episodes were repackaged into an hour-long show titled Mystery Science Theater Hour, meant to be better suited for off-network syndication.
In these, the original episode was split into two parts of roughly 45 minutes each excluding commercials. New skits leading and ending each episode incorporated Mike Nelson portraying television host Jack Perkins in a parody of Perkins' Biography series in mock flattery of the MST3K episode being shown.
Foxbut Hodgson felt the material was not funny and declined. Paultaking a job in a T-shirt printing factory that allowed him to conceive of new comedy ideas while he was bored. One such idea was the basis of MST3K, a show to comment humorously on movies and that would also allow him to showcase his own prop comedy -style humor.
The film is set in the future and centers on a human, Freeman Lowell Bruce Dernwho is the last crew member of a spaceship containing Earth's last surviving forests. His remaining companions consist only of three robot drones. The show's name came from the promotional phrase "Mystery Scientist" used by magician Harlan Tarbell and a play on the name of Sun Ra 's band, the Myth Science Arkestra.
Forrester was named after the main character of The War of the Worlds. The Satellite of Love was named after the song of the same name by Lou Reed.
The "seats" were a black-painted foamcore board sitting behind the seat towards the camera for the host, and stages for the Crow and Tom puppets.
The human host wore black clothing while the robot puppets were painted black; the screen they watched was a white luma key screen as to create the appearance of silhouettes.
The actors would follow the movie and the script through television monitors located in front of them, as to create the overall theater illusion. This led to the creation of Cambot as a robot that the host would speak to during host segments or recording them while in the theater, and Rocket Number Nine to show footage outside of the Satellite of Love.
Hodgson felt they needed a logo with the rotating effect as opposed to a flat 2D image, and though they had envisioned a more detailed prop, with the letters being the tops of buildings on this moon, they had no time or budget for a project of that complexity and went with what they had.
Elvis Weinstein initially going by Josh Weinstein but later changed to J. Elvis as to distinguish himself from Josh Weinsteina well-known writer for The Simpsons  and Trace Beaulieu to develop the pilot show.
Joel watched the movie by himself, and was aided during the host segments by his robots, Crow BeaulieuBeeper, and Gypsy Weinstein. Hodgson used the narrative that his character named "Joel Hodgson" not yet using his character name of Robinson had built the Satellite of Love and launched himself into space.
Murphy also created the first doorway sequence and theater seat design. These initial episodes were recorded at the long since-defunct Paragon Cable studios and customer service center in Hopkins, Minnesota. Show production was generally done on a hour cycle, starting with Mallon offering a few films from KTMA's library for the writers to select from.
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